Goldstar’s John Loken forwarded me a blurb from the New Yorker by Alex Ross that included the following graph: So this graph shows the percentage of people of different generations level of participation in attending classical music as they age. From the point of view of what it portends for the future, there’s one word [...]
As you recall, we recently had a very interesting conversation with Greg Sandow about the future of classical music. (First piece here, second piece here.) What didn’t come up was the fact that Greg is writing a book on the topic and has gathered a group of informal advisers to give him input as he [...]
Part 1 can be found here, btw. Share and Enjoy:
Here’s part 1 of my chat with Greg Sandow, composer, music critic for the Wall Street Journal, teacher and blogger at Arts Journal: Share and Enjoy:
Composer, music critic, teacher and all around classical music deep thinker Greg Sandow and I chatted via Skype, and we’ll have the first of two parts of our chat about the future of Classical Music here later today… Stay tuned! Share and Enjoy:
Take a listen to Washington Post classical music critic Anne Midgette talk about why classical music and opera box office numbers have been on a gradual slide on clip number 5 on this page. She talks about how opera in particular has the opportunity to capture the attention of new audience, but that too often [...]
In any field of human endeavor, you will find people who like things stripped down to their essence, free of trappings, and “pure.” The Puritans come to mind, for example. Their whole outlook on life was that the Church had become too much about religion and not enough about God. To them, you found God [...]
I used a phrase the other day that I think is very important to understand. I said that live entertainment had the chance to “lead the culture.” Greg Sandow uses the phrase “gravitational pull” to describe what happens when something is highly relevant in the world. People are naturally drawn to it, as though by [...]
I was reading Anne Midgette’s terrific article about the obsession with the development of young audiences by classical music organizations, and something Anne said led me to take the idea further. Here’s the key tidbit from Anne’s piece: “…I think the idea of “a young audience” is one of those fictive Holy Grails that has [...]
Well, yes, of course. In fact, it may be an area where we see an exceptional amount of innovation in coming years if only because Mother Necessity demands it. Some major orchestras and Philharmonic societies have an average patron age that tops 60, and that’s just not a business model that’s going to keep working [...]
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