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	<title>Comments on: Why Philadelphia Orchestra May Need to File Bankruptcy</title>
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	<description>The Revolution Will Not Be Available For Download</description>
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		<title>By: Kara Larson</title>
		<link>http://www.download-not-available.com/quick-takes/why-philadelphia-orchestra-may-need-to-file-bankruptcy/comment-page-1#comment-315</link>
		<dc:creator>Kara Larson</dc:creator>
		<pubDate>Tue, 02 Feb 2010 21:56:01 +0000</pubDate>
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		<description>If ever anyone in the classical arts figures out the real relationship among what audiences want, what we think they want, and what they “should” want, it’ll be a miracle. Some institutions program from on high and some don’t, but all are criticized for being too conservative and too adventurous, catering for the old and the new, alternately and sometimes simultaneously.

Anne Midgette said in a Washington Post blog today: “Many of us who love music share a vague idea that audiences should be open to new things, and that they should be convinced to give them a try. But is this true? I’ve observed before that classical music, particularly opera companies and orchestras, are unusual in that they repeatedly try to force things on its audience that its audience doesn’t necessarily want.”

I imagine we might get further if we stopped focusing on WHAT is being performed and started worrying about the audience experience of it. Given the right (informal, educational, interactive, whatever) context, some audience members will try musical broccoli. And some won’t. And the Nutcracker will always sell out.</description>
		<content:encoded><![CDATA[<p>If ever anyone in the classical arts figures out the real relationship among what audiences want, what we think they want, and what they “should” want, it’ll be a miracle. Some institutions program from on high and some don’t, but all are criticized for being too conservative and too adventurous, catering for the old and the new, alternately and sometimes simultaneously.</p>
<p>Anne Midgette said in a Washington Post blog today: “Many of us who love music share a vague idea that audiences should be open to new things, and that they should be convinced to give them a try. But is this true? I’ve observed before that classical music, particularly opera companies and orchestras, are unusual in that they repeatedly try to force things on its audience that its audience doesn’t necessarily want.”</p>
<p>I imagine we might get further if we stopped focusing on WHAT is being performed and started worrying about the audience experience of it. Given the right (informal, educational, interactive, whatever) context, some audience members will try musical broccoli. And some won’t. And the Nutcracker will always sell out.</p>
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